This guitar cannot be attributed to any specific craftsman because it lacks an interior label. However, by closely observing and analyzing its construction system and details, we can affirm that it was built in Madrid between the years 1930-1940, as it shares numerous details typical of Manuel Ramírez’s school. The absence of a label significantly lowers its commercial value despite its high quality as an instrument, making it a unique opportunity to acquire a truly special guitar at an incredible price.

It is built with Brazilian rosewood and German spruce of the highest quality, featuring binding work and mother-of-pearl inlays that only the most skilled craftsmen can achieve.

Its sound is truly spectacular, undoubtedly making it one of the most versatile guitars we have ever encountered. It is perfect for playing both flamenco and classical music at the highest level, with a deeply flamenco timbre in rasgueos and alzapúas, and extremely lyrical and sweet in the most delicate harmonies of classical guitar.

This guitar has the highly-valued “rebound beating” on the right hand, combined with fantastic softness on the left one, thus accomplishing the “perfect instrument”, should we want to spend hours and hours playing non-stop with a nice feeling of ease.

Its conservation condition is excellent and entirely original, with no cracks or repairs of any kind.